By R. N. Mitchell
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Extra info for Compendio de Robbins y Cotran. Patologia Estructural y Funcional 7 ed Spanish
Elizabeth Osborn, 243–280. New York: Theater Communications Group, 1987. _____. ” Necessary Theatre, edited by Jorge Huerta, 75–141. Houston: Arte Público Press. 1989. Solis, Octavio. “Santos & Santos,” American Theatre Magazine (November 1995): 35–57. _____. Man of the Flesh. Plays from South Coast Repertory, Vol. III. New York: Broadway Play Publishing, 1998. Taylor, Diana. Theatre of Crisis: Drama and Politics in Latin America. Lexington: University Press of Kentucky, 1991. Teatro de la Esperanza.
Paulina’s legitimate awakening of faith (1976:294–303). J. Sokol’s book-length study of The Winter’s Tale offers the most complete analysis of these reformist tensions in the play. See especially (1994:55–84). 4. The masque text is preserved in a number of versions, the two most important being the undated quarto, published soon after the masque’s entry in the Stationer’s Register to George Norton and printed by Felix Kingston, and the 1647 folio. The folio is not a reprint of the quarto; instead, as Fredson Bowers notes, it “represents something of a different tradition in that the descriptions are wanting and the directions are relatively brief ” (1966:113–14).
Her physical gesture of solidarity points forward to a progressive future, but runs the risk of equating the energetic on-stage gesture of knocking down set pieces with the real political transformation necessary to tear down a wall. While the production is not naively equating these activities, the danger of reframing the crisis as something that can easily soluble is a risky political gesture echoed by a second moment in the production emerging in the narrative commentary framing each episode.
Compendio de Robbins y Cotran. Patologia Estructural y Funcional 7 ed Spanish by R. N. Mitchell