By Vicki Mayer
Early within the twenty-first century, Louisiana, one of many poorest states within the usa, redirected hundreds of thousands in tax cash from the general public coffers for you to develop into the head situation website globally for the creation of Hollywood movies and tv sequence. Why may lawmakers help the sort of coverage? Why could voters settle for the policy’s uncomfortable results on their economic climate and culture? Almost Hollywood, approximately New Orleans addresses those questions via a examine of the neighborhood and daily reviews of the movie financial system in New Orleans, Louisiana—a urban that has two times pursued the objective of turning into a film construction capital. From the silent period to today’s Hollywood South, Vicki Mayer explains that the charisma of a movie financial system is inseparable from a triumphing experience of domestic, while it adjustments that position irrevocably.
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Extra info for Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy
56 Within a year, the number of film projects in the city surpassed those in the year before the storm. State leaders trumpeted the figure as a sign of an industry that was indefatigable in the city. ”57 Like the zombies on the screen, the schemes to capture land and labor in the name of Hollywood seem ageless, even as their forms mutate. What follows are three chapters that meditate on the strong pull of a film economy and its ability to transform the urban landscape while also mediating a sense of place.
Nor are they going to risk their future if my project is a flop. They are so fickle. So the studio leaves me in the hands of the producer, who forms a limited liability company (LLC) to meet me on location. The LLC is really agile, living fast and dying after the film is done and sold back to the studio. No matter. On location, I’m really useful, giving discounts on everything from the hired hands to the executive hotel suites where we stay. This is the most high-profile time in my life. The newspapers and trade press celebrate me as the star behind Hollywood South.
That Louisiana grew to become the third-largest economy for film production in the United States in less than a decade seems curious, if not counterintuitive, given the position of the state in economic terms and in the American popular imagination. 7 billion in revenues. 7 How these two realities coexist, and even mutually reinforce each other, is the subject of this book. From a purely rational standpoint, the growth of Hollywood film and television production in cash-poor states is the result of a supply-side economic strategy, what presidential candidate George H.
Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy by Vicki Mayer